- Product Details
Matthew Palladino - ‘95-’05
ONLY 200 NUMBERED PRINTS AVAILABLE WORLDWIDE
48 HOURS ONLY
Printed with spot gloss raised UV on 100# archival matte cover
**These are high-quality prints that require special shipping methods to ensure safe delivery. As a result, shipping costs are slightly higher than usual—approximately $15 for domestic U.S. orders and around $30 for international.
Matthew Palladino (the artist) was born in 1985 in San Francisco, California. He grew up in the city, mostly around the Haight Ashbury neighborhood, where some of his earliest memories were in the bottom floor flat of a house on Cole and Haight, where 18 years before, the upstairs flat had been occupied by Charles Manson and his budding “Family”. The famous Grateful Dead house was just a few blocks away, and the counterculture, while a bit bruised and battered from the 70s, still lived on in the music and visuals that were around. R. Crumb and Stanley Mouse posters still abounded, Big Brother and the Holding company could be heard playing in the stores and coffee shops, and of course, the ever ubiquitous Grateful Dead. Young kids, some only in their teens, along with the children of the 60s, still flooded the area every year before heading to The Dead’s legendary once a year New Years Eve shows. It was in this environment that Palladino soaked up the culture.
Matthew Palladino - ‘95-’05
ONLY 200 NUMBERED PRINTS AVAILABLE WORLDWIDE
48 HOURS ONLY
Printed with spot gloss raised UV on 100# archival matte cover
**These are high-quality prints that require special shipping methods to ensure safe delivery. As a result, shipping costs are slightly higher than usual—approximately $15 for domestic U.S. orders and around $30 for international.
Matthew Palladino (the artist) was born in 1985 in San Francisco, California. He grew up in the city, mostly around the Haight Ashbury neighborhood, where some of his earliest memories were in the bottom floor flat of a house on Cole and Haight, where 18 years before, the upstairs flat had been occupied by Charles Manson and his budding “Family”. The famous Grateful Dead house was just a few blocks away, and the counterculture, while a bit bruised and battered from the 70s, still lived on in the music and visuals that were around. R. Crumb and Stanley Mouse posters still abounded, Big Brother and the Holding company could be heard playing in the stores and coffee shops, and of course, the ever ubiquitous Grateful Dead. Young kids, some only in their teens, along with the children of the 60s, still flooded the area every year before heading to The Dead’s legendary once a year New Years Eve shows. It was in this environment that Palladino soaked up the culture.